Site-Specific Installation, Faena Art, Miami Beach

Hall of Visions is a site-specific installation born from a search for presence as a means to manifest one’s future self. The work functions both as a metaphor and a spatial experience, guiding visitors through a constructed environment—one must physically move through a corridor to reach a large mirrored egg, a primal and elegant symbol of creation.

The egg reflects the viewer in the present moment, becoming a portal for self-awareness and alignment. Hall of Visions thus acts as a corridor of vision, inviting participants to reconnect with their inner potential and attune to their highest future timeline.

“We have only to raise Imagination to the state of Vision and the thing is done.”
— William Blake

Influenced by the spirit of the Madí movement, the installation avoids ideology or narrative imposition. Instead, it generates reflective space through a mathematical and geometric language, where rational aesthetics meet spiritual resonance. Bold color fields—fuchsia, purple, and electric blue—guide the journey toward the central reflective sculpture.

As visitors encounter the egg, they are mirrored into the surrounding landscape, momentarily suspended in the now. Beyond the sculpture, the installation aligns with the natural horizon, engaging with the cycles of day and night, and reminding us that time is fluid—the future is already unfolding.

Set against the surreal backdrop of the Miami Beach shoreline, the piece contrasts vivid geometric forms with the organic vastness of the sea. This interplay compels a re-evaluation of our relationship with space, presence, and the outdoors—especially in the wake of the post-pandemic era, when collective perception has shifted.

While the Madí movement emerged from a post-war landscape, Hall of Visions exists at the threshold of a new paradigm. It offers a portal for introspection and transformation, calling us inward:
To truly see yourself, you must go within—because the only way out is through.